The Dramaturgy of Migration
'The problematics of migration in the field of theatre practices in India is often framed within the rubric of two related concerns: the debates around the practice and theorisations of intercultural theatre and the concept of hybridity as theorised within the postcolonial framework’ (Yana Meerzon and Pewny, 2019, p. 5).
This framework views migration as a lived, embodied process shaped by historical power dynamics and ongoing cultural negotiation. It emphasises the link between migration and the lasting impacts of colonial empires. Meerzon and Wilmer write, 'The field of theatre and migration studies is now seeking new understandings of how colonialism contributed to migration' (2023, P.37). In essence, the dramaturgy of migration explores the movement and displacement of people, while also addressing overlapping themes and issues that can be linguistic, cultural, and emotional. It seeks understanding from institutions, communities, and audiences with diverse perspectives. Through such writing, migration dramaturgy can also address issues 'Related to climate change and digital realities.' (Ibid, 2023, P.38)
The dramaturgy of migration restores the voices of individuals and cultures marginalized by colonisation. This approach can shift dominant narratives and offers representation to those historically excluded. Lech states, 'multilingual theatre as a migrant-led path towards self-empowerment and towards stories of migrations being seen as belonging within and shifting collective memories staged by German theatres' (Lech, 2024, p.15).
How Can Borderland and Migration Dramaturgy Shape the American Dream?
Various forms of media often use the dramaturgy of migration, and Survivor is a clear example. The show gathers participants from across the United States in a transitional setting, giving them control over eliminations and the final outcome. Survivor serves as a borderland, shaped by the convergence of different cultures. However, the show is rooted in the American Dream, suggesting that people from varied backgrounds can succeed, as shown by the significant cash prize. Each season’s diverse cast encourages cultural exchange. For example, Tai Trang, a Vietnamese refugee from season 36, brings his cultural heritage into the competition. This approach highlights how migration dramaturgy can promote cultural exchange while reinforcing American values. In his interview, Trang explains how Survivor embodies the American Dream.
