​Borderland dramaturgy examines the politics of belonging and identity negotiation through analysing performance on the subject. It questions the power mechanisms that shape national, cultural, linguistic, and social borders, and demonstrates how these boundaries are maintained through unequal access to authority, mobility, and visibility. While also highlighting the hybrid of culture in the border. Borderland dramaturgy also captures the political rhetoric of countries such as the United States, which is politically positioned between multiculturalism and strong anti-migrant nationalism. Rosario supports this perspective, stating that 'A simultaneous fight between assimilation by the prevailing cultures of the U.S. and Mexico and retention of native Border voices takes place every day.' (2015, P.294). Furthermore, borderland dramaturgy engages with migration narratives, foregrounding experiences of displacement, multilingualism, and the emotional labour required to navigate between different worlds. Ultimately, borderland dramaturgy positions the theatre as a dynamic site for the analysis of identity, power, and the developing possibilities for community formation and dissolution.